Víctor Cuica
Acting
Biography
Víctor Cuica (Caracas, Venezuela, April 19, 1949 - ibid., December 26, 2020) was a Venezuelan musician and actor, known for his innovation in blending jazz with Afro-Caribbean music. He participated in Venezuelan cinema during the 1970s and 1980s, portraying the character Alexis in "Se busca motorizado con moto propia y muchacha de buena presencia" alongside the renowned actor, screenwriter, and writer Fausto Verdial.
Born: April 17, 1949
Place of Birth: Caracas, Venezuela
Known For
Wanted: Good Looking Receptionist and Messenger with His Own Motorcycle
Alexander and her friend Diosa start working in a furniture store, Alexander suspects that the owner is involved in a murky business.
Tierna es la Noche
Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.
Manuel
Directed by Alfredo Anzola, Manuel (1979) is a Venezuelan drama that explores themes of love, faith, and resistance. The story follows Aparicio and his wife, Alma Rosa, as they welcome a new priest, Manuel, to their coastal village. As Manuel becomes acquainted with the community, he discovers that the village is slated for demolition to make way for a tourist development. Deeply moved by the villagers' plight, Manuel joins the local fishermen in their struggle to defend their land. During this time, he also finds himself drawn to Alma Rosa, leading to personal and moral dilemmas. The developers, aware of Manuel's growing influence and his feelings for Alma Rosa, begin to monitor his actions closely. The film delves into the complexities of human relationships and the fight against displacement.
De cómo Anita Camacho quiso levantarse a Marino Méndez
Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.
Coup at Daybreak
The film follows the events of the night of February 4, 1992 in Caracas, Venezuela. That night a group of military rebels staged a coup d'etat. Venezuelans found themselves as virtual prisoners. As the coup starts and fighting takes place from a military base which is in the center of the city's most affluent areas, with both luxury high rises and palatial mansions. The area of La Carlota provides a wealth of very interesting, often flamboyant and typical characters of the Latin America upper middle and upper classes. They are among the most affected. Various vignettes in these different characters' homes are developed. These people's reactions, lifestyles, vices, and humanity come out in a very honest fashion under duress.
Maroa
Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.
The Wedding
A politically charged film, where a series of archetypal characters are presented.
Por un polvo
A beautiful seductress draws a man in the midst of a mid-life crisis into a sordid world of drugs, crime, and debauchery. Alejandro is down on his luck. Unemployed and loveless, he falls hard for beautiful Vanessa when fate brings the two together seemingly by chance. But Vanessa's boyfriend is a hit man for the mob, and despite at first feeling swept up in circumstances beyond his control, Alejandro soon realizes that in order to regain his confidence, he must embrace his destiny.
Shoot to kill
During a police round-up, Mercedes witnesses the unjust murder of her son, a working-class man, by a police captain. Refusing to accept the official version of the story - that her son was a criminal - she launches a campaign for justice. Santiago, a young journalist moved by Mercedes's passion and determination, begins to investigate the story of the police cover-up at the risk of his own life. As the investigation develops, the film exposes the depth of Venezuela's corruption.
Santera
About a mysterious and troubled black woman, a former practitioner of the Santería religion, who must comes to terms with her background whilst in a Caracas jail.
Filmography
as Eulogio
as Mario Linares
as Omar
as Caraota