Wallie Ruy

Zodíaca – O Monólogo Definitivo de Cada Signo

Helen

Helen lives in a cortiço with her grandmother, Mrs. Graça, who supports the family with informal jobs, such as selling skewers. Still very naive, her biggest concern is buying her grandmother a birthday present: a makeup kit. The girl is going to bend over backwards to get the money and her search will reveal the daily life of those living in tenements, outlining a collective story from the network of relations that the girl establishes.

Carcereiros

Aruanas

Three friends leading a nonprofit organisation investigate environmental crimes in the Amazon involving a major mining company.

Call Me Bruna

Raquel is a girl, adopted by an upper-middle-class family, who rebelled at 17 and left her family and studies at a traditional college in São Paulo to become a prostitute.

Nobody's Looking

A new guardian "angelus" uncovers a secret behind the Angelus System's bureaucracy that leads him to break its official rules about protecting humans.

Reality Z

A zombie apocalypse that imprisons participants and producers of a reality show called Olimpo, The House of the Gods. The studio becomes a shelter for those who seek salvation in Rio de Janeiro where chaos and hopelessness begin to rule.

Tô Ryca 2

Selminha is back! Now wealthy and willing to pay generously for all her needs and desires. The problem is that a poor person’s happiness is brief: a namesake heir appears claiming that she is the legitimate inheritor and Selminha’s assets are frozen. Her only source of income becomes a minimum wage salary of R$30 per day. However, Selminha has already forgotten how to live the hardships of poverty. And worst, she is the patron of the Quintino community, and with her financial difficulties, the community also feels the squeeze.

Spectros

A group of teenagers gets unintentionally involved in a conflict between Japanese Shinto ghosts and Brazilian witchcraft.

Desire Machine: 60 Years of Teatro Oficina

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.