Yolanda Ríos

Una familia decente

F. E. N.

Two former students of a strict religious school decide to return there during the summer holidays to make those who were their teachers experience all the suffering they experienced as students, beginning a sinister game in which the buried violence, the dark traumas of the past and the desire to heal old wounds will lead them to an unexpected climax.

El vikingo

The Black Moon

After experiencing a series of traumatic, seemingly unrelated, accidents, Eva begins to notice that her daughter Luna is behaving in increasingly strange ways.

Esclava te doy

Dos mejor que uno

Rafa and Jeromo are a curious couple of friends. Their friendship began in childhood as well as his love for Silvia, which have been in love since childhood. Silvia Jeromo elected, and Rafa decided to disappear. Years later he returns and finds that the couple is experiencing a serious emotional crisis...

The Frenchman's Garden

"The Frenchman" was what locals called the man who ran the bar and restaurant in the small town of Peñaflor in rural Spain in the early part of the 20th century. But Juan Andrés Aldije Monmeja was not your usual jolly innkeeper. He ran an illegal gambling den and pimped out the waitresses who worked for him. Deciding there were easier and quicker ways to exploit his customers, The Frenchman started slaughtering them, stealing their money and burying their corpses in the garden at the back of his inn. It was not long before people started asking questions...

París bien vale una moza

Double Feature

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

La espada negra

Kingdom of Castile, 15th century. A group of nobles, who question the dynastic legitimacy of Princess Juana, daughter of King Enrique IV, conspire with the purpose of overthrowing him.