Yonggui Li

Journey to the West

Journey to the West is a Chinese television series adapted from the classical novel of the same title. The series was first broadcast on CCTV in China on 1 October 1986. The series became an instant classic in China and is still being praised as the best and most authentic interpretation of the novel. Unadapted portions of the original story were later covered in the second season, which was released in 1999.

Journey to the West

Journey to the West is a Chinese television series adapted from the classical novel of the same title. The series was first broadcast on CCTV in China on 1 October 1986. The series became an instant classic in China and is still being praised as the best and most authentic interpretation of the novel. Unadapted portions of the original story were later covered in the second season, which was released in 1999.

Journey to the West

Journey to the West is a Chinese television series adapted from the classical novel of the same title. The series was first broadcast on CCTV in China on 1 October 1986. The series became an instant classic in China and is still being praised as the best and most authentic interpretation of the novel. Unadapted portions of the original story were later covered in the second season, which was released in 1999.

The Swordswoman in White

Wang Cong'er, leader of the White Lotus sect, narrowly escapes after her base is surrounded by the Qing army. A reward is posted for her capture throughout the city. Wang and the White Lotus sect realize there is a traitor among them.

哇！没毛的狗

万水千山

北京法源寺

Swordsmen of the Passes-Uncle Donger

Dong Erbo, born into a scholarly family, resolves grievances through his benevolence and righteousness. The film establishes his chivalrous image through scenes like Dong Erbo caring for the daughter of the murderer of his father, writing a certificate of indebtedness in blood to a robber, and freeing a young man who accidentally killed a relative. He takes in and protects an orphan swordsman, ultimately dying during a crackdown by government troops. The film uses a rugged visual language to depict the desolate geography of the West, and through the portrayal of these chivalrous men who relentlessly avenge their enemies, it conveys the philosophy that "the sword cannot subdue anyone."