Yuliya Aug
Acting
Biography
Yuliya Arturovna Aug (Russian: Юлия Артуровна Ауг; born 8 June 1970) is a Soviet and Russian actress. Her film credits include The Student, Ekaterina and Leto. Aug is part of the Gogol Center troupe. Aug was born in Leningrad, RSFSR, Soviet Union, and spent her childhood in Narva, Estonian SSR. Her paternal grandfather was Estonian. In 1993, Yulia graduated from the Russian State Institute of Performing Arts and was accepted into the troupe of the Youth Theater named after A. A. Bryantsev, where she served for ten years, until 2004, playing eight main roles: Sophia in Woe from Wit, Mermaid in Pushkin's Mermaid, Lady Macbeth in Macbeth and others. In 2010 she graduated with honors from the directing department (remote learning) with a degree in Theater Directing of the Russian Institute of Theatre Arts in Moscow (workshop of Joseph Raihelgauz).
Born: June 8, 1970
Place of Birth: Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia]
Known For
Peek-a-boo
Teenager Zhora lives with her grandmother and only occasionally sees her parents. The fact is that he is autistic, and his parents are very busy people. Zhorik's mother, Kira, is passionate about her success as a plastic surgeon. Father - Yasha - real estate sales. However, they are not so busy that they do not take a friend to the holy springs to establish love karma. Will the holy water help reunite their family as well?
Dr. Preobrazhensky
The doctor opens the first department of plastic surgery in Moscow in the 1960s. Denis Shvedov as a talented medic.
Container
Sasha makes her living as a professional surrogate mother. Contrary to the usual practice, she moves in with her new customers until the baby is born. She finds herself in a different world — in the house of rich government official Vadim and his wife Marina. For them, Sasha is merely a “container” – their new toy. But what was intended as a safe way of caring for the future child turns out to be a test for everyone involved. Behind the luxurious facade of the elite hides unsightly secrets. And Sasha has a secret of her own. Container was selected by 2021 MIP Drama Awards, the annual premium drama showcase offering international buyers an exclusive first-look at a curated selection of the most anticipated series in production around the world.
Ekaterina
1745. The reigning Empress Elizabeth Petrovna is infertile. The only heir is her feeble-minded nephew Peter III. Elizabeth cannot allow Peter to ascend to the throne, so she decides to marry the tsarevich, wait for the birth of her son, and then take the boy and raise him as a real Russian emperor herself. Brides are coming to St. Petersburg. Among them is the lovely Fike - the young Princess Sofia Frederica from the impoverished branch of the Prussian kings.
Ekaterina
1745. The reigning Empress Elizabeth Petrovna is infertile. The only heir is her feeble-minded nephew Peter III. Elizabeth cannot allow Peter to ascend to the throne, so she decides to marry the tsarevich, wait for the birth of her son, and then take the boy and raise him as a real Russian emperor herself. Brides are coming to St. Petersburg. Among them is the lovely Fike - the young Princess Sofia Frederica from the impoverished branch of the Prussian kings.
Not by Bread Alone
During the post-WW2 reconstruction in Russia, bald-headed technocrat Drozhdov equates communism with the empowerment of the ordinary man over the arrogant "specialness" of genius. Dedicated scientist Lopatkin takes refuge in Moscow with the potty, brilliant old inventor Busko. Lopatkin works tirelessly on his invention, embarking on a roller-coaster of rejection and acceptance, his work vilified, plucked apart and plagiarized by colleagues, particularly by his nemesis Drozhdov. Drozhdov's wife Natasha, alienated from her cold, controlling husband, is increasingly drawn to Lopatkin, whom she knew when they both taught at the same school. Soon she runs away from her husband and happily keeps house for the two absent-minded ex-professors Lopatkin and Busko. Natasha is ready to give Lopatkin her own life, love and faith. Lopatkin is eager to sacrifice his life for the idea, doing the utmost for his motherland.
Passengers
Andrey drives a cab, but he’s no ordinary Taxi driver. All his passengers are dead. His job is to deliver them to the Afterlife, but it’s never straightforward. Andrey’s passengers come from all walks of life and each has a story, they can’t reach their destined afterlife until they face-up to and atone for something from their past. But it’s a rare soul who wants to hold a mirror up to their faults, they need a guide, some encouragement, and so they turn to the only other presence in the taxi, Andrey. Andrey himself is an enigma, a taciturn driver who exists only in the present, and a reluctant guide for lost souls. Each time Andrey successfully delivers a lost soul from limbo, a mysterious number on the taxi-meter counts down one by one. And with each soul’s story a little bit more of Andrey’s past is revealed. Are the Passengers the only souls seeking redemption?
Love in Chains
Kateryna is beautiful, clever and by the will of her godmother was raised as a lady of noble blood. But for the whole world, she is only someone else’s property, a bondmaid of the richest landowner in Nizhyn – Chervinskyi. Struggling for her freedom and the right to be happy, she will have to endure the deaths of her closest people, become the property of a woman who hates and dreams to kill her, survive the popular uprising, escape while being chased by a maniac and flee from the one who wants to get her above all. What awaits Kateryna at the end of such a terrible and exhausting path to freedom?
Gogol Online: Stalin's Funeral
On the same day that Stalin was buried, Sergei Prokofiev's funeral took place completely unnoticed. And if the farewell to the composer quietly went against the backdrop of the farewell to the dictator that swept the whole country, then in the play everything is the opposite - Prokofiev's music is in the center, and it is interrupted by the stories of those people who would probably ignore Stalin's funeral and went to say goodbye to the great composer.
Leto
Leningrad, one summer in the early eighties. Smuggling LPs by Lou Reed and David Bowie, the underground rock scene is boiling ahead of the Perestroika. Mike and his beautiful wife Natasha meet with young Viktor Tsoï. Together with friends, they will change the destiny of rock’n’roll in the Soviet Union.
Filmography
as Jana
as Мария Павловна
as Vera
as Mad Woman at Church
as Irina
as Anna Yudina
as Train Conductor
as Елена
as Botova
as Valya
as the desk lady
as Anna
as Polina, Nastya's mom
as Stephaniya
as head doctor
as Judge
as aunt Lyuda
as flat's owner
as жена ветерана
as Anna Klauzen
as Olga
as Anna Chervinska
as Марта
as Alexandra Stepanovna Trushkina
as mother of Sonya and Kurt
as Anna Alexandrovna
as Ljudmilla
as воспитатель
as Паулина Мартыновна Иваненок
as Marika’s mother
as Лина Кодина
as Lydia
as Mother
as Lyuba - zhena Kolyady
as Larisa Kormukhina - nachalnitsa Raisy
as Tatyana Senina
as The Mayor Of Mikhaylovsk
as императрица Елизавета I Петровна
as Elizabeth I
as Елена Кулясова
as Oropti
as Lyudmila
as Mat
as Tanya
as Наталья
as Titova