Viy
The Soviet Union’s first horror film!
A seminary student on monastery holiday kills an old witch in a remote village. The hag then transforms into a beautiful young woman whose dying wish is for him to watch over her wake for three nights. With terrors occurring and his faith waning, he reads prayers on the overnight watch and tries to survive the supernatural encounters.
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VIY (Masters of Cinema) New & Exclusive Trailer
Cast

Leonid Kuravlyov
Khoma Brut

Natalya Varley
Pannochka, the Centurion's Daughter

Aleksey Glazyrin
Centurion

Nikolay Kutuzov
Witch

Vadim Zakharchenko
Freebie

Petro Vesklyarov
Dorosh

Vladimir Salnikov
Horobets

Dmytro Karpa
Overko

Stepan Shkurat
Yavtukh

Mykola Yakovchenko
Spirid

Nikolay Panasev
comforter

Boryslav Brondukov
bursak (uncredited)

Aleksandra Denisova
countrywoman (uncredited)

Lyubov Kalyuzhnaya
countrywoman (uncredited)

Viktor Kolpakov
countryman (uncredited)

Aleksandr Lebedev
bursak who milks a goat (uncredited)

Elena Muratova
pitchwoman (uncredited)

Dmitriy Orlovskiy
countryman (uncredited)

Anna Pavlova
countrywoman (uncredited)

Nikolai Yudin
monk (uncredited)
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Reviews
CinemaSerf
I gather this is one of the few "horror" films ever made during the Soviet era and it plays rather well on the superstitions of a rural population who are pretty much scared of their own shadows! "Khoma" (Leonid Kuravlyov) is a young priest who is charged with sitting with the corpse of a young woman. Locked, overnight, inside a small wooden church, he must protect her body from the evil spirits that might emanate from the depths of Hell to corrupt not just her, but him too! The eponymous "Viy" is the mightiest of those demons who is determined to seduce the young man - but can the faith and strength of this man of God prevail? I really quite liked this - it is maybe a bit over-scripted, but the visual effects are fun and there is (deliberate) humour amongst the scenes of mayhem as coffins - and their occupants - whizz around the church scaring the cassock off the innocent and frequently terrified "Khoma". The denouement - well that has to be seen to be enjoyed. Don't let the opening few minutes - a bit fable-esque - put you off, this is easily as entertaining as anything Hammer were chucking out in the late 1960s and there are some quirky supporting characters to keep it lively for a quickly paced eighty minutes.
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